![]() ![]() ![]() The films are significantly different in length the longest (and last-made) is Cremaster 3, at over three hours, while the remaining four are approximately an hour each, for a total of approximately seven hours – #3 alone makes up almost half the total length of the cycle. The numerical order is the thematic order, while in order of production the films increased in production quality, ambition and scope, and they can alternatively be viewed in any order, as different views of a set of themes and preoccupations. The order in which they were made is as follows: While thematically the Cremaster films are chronological in the numbered order, they were not made or released in the same manner. Richard Serra and Aimee Mullins portray Hiram Abiff and Sadhbh respectively, in Cremaster 3. Norman Mailer, Patty Griffin, and Dave Lombardo portray Harry Houdini, Nicole Baker, and Johnny Cash respectively in Cremaster 2. Ursula Andress portrays the Queen of Chain in Cremaster 5. Barney portrays, at various points, a satyr and Gary Gilmore. As the cycle evolved over eight years, Barney looked beyond biology as a way to explore the creation of form, employing narrative models from other realms, such as biography, mythology, and geology. The cycle repeatedly returns to those moments during early sexual development in which the outcome of the process is still unknown - in Barney's metaphoric universe, these moments represent a condition of pure potentiality. The project is filled with anatomical allusions to the position of the reproductive organs during the embryonic process of sexual differentiation: Cremaster 1 represents the most "ascended" or undifferentiated state, Cremaster 5 the most "descended" or differentiated. Its conceptual departure point is the male cremaster muscle, the primary function of which is to raise and lower the testes in response to temperature. Guggenheim Museum curator Nancy Spector has described the Cremaster Cycle (1994–2002) as "a self-enclosed aesthetic system." The cycle includes the films as well as photographs, drawings, sculptures, and installations the artist produced in conjunction with each episode. The series incorporates a multidisciplinary narrative that heavily references connections between real people, real places and real things personal to Barney himself, but are all fictionalized to some extent. Barney's longtime collaborator Jonathan Bepler composed and arranged the soundtracks for the films. Guggenheim Museum in New York City, which traveled to the Museum Ludwig in Cologne and the Musée d'art Moderne in Paris from 2002-03. The Cremaster Cycle was made over a period of eight years (1994–2002) and culminated in a major museum exhibition organized by Nancy Spector of the Solomon R. For the past 15 years, Barney has used new materials and procedures – Vaseline, polyurethane, plastic, metal – to generate a body of unprecedented sculptures, including Water Cast 6, an original piece that marks a new stage in his creative process and fabrication methods.The Cremaster Cycle is a series of five feature-length films, together with related sculptures, photographs, drawings, and artist's books, created by American visual artist and filmmaker Matthew Barney. Often provocative, his pieces blend universal myths and contemporary data, allowing his work to decipher the world of today and tomorrow. To him, the porosity between different worlds – animal, human, organic, mineral – is evident. Internationally renowned, Barney’s unusual work conveys a unique vision of a mind that encompasses world and temporalities in a ferment of cerebral, formal ideas that are matched by the highly innovative connections he establishes. With his cycle of five films, Cremaster (1994-2002), which total seven hours of continuous projection (shown in 2002 in France at the Musée d’Art Moderne in Paris) he reinstated film’s role in contemporary art with an incredible piece featuring hermaphrodite, hybrid and mutant beings. In 1994 Barney began to work with installation, drawing, photography, performance, film and video, using as many materials as possible including bronze, film, plastic, resin and wax. His early pieces took the form of body art in which he submitted his body to physical endurance exercises, demonstrating his physical control and dominance over his body. Barney’s provocative work led to his rapid success. ![]() After studying medicine and graduating from Yale University in 1991, the artist, who is also an accomplished athlete and high-level sportsman, made his debut in the art world thanks to support from gallery owner Barbara Gladstone. ![]()
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